I just had that kind of experience where an album hits you really hard. You realize how damn good something is and why other people listen to it, like it, and refer to it. It happened the first time I listened to Illmatic, the first time I heard Biggie's first album, it hit me when I happened upon the Canadian rap scene, and it happened again the other day.
I was walking around through the industrial district of South East Portland. Not a bad neighborhood by any stretch but certainly not pretty or quaint, but a good place to jam on nineties hip hop, get some graffiti done (if that's your jam), or just wander around taking in the parts of the world that aren't so glamorized.
Enter me, turning on my Zune freshly out of a coffee shop where I was reading F Scott Fitzgerald and listening to math rock whilst sippin' on a perfectly pulled shot of espresso expertly crafted into an Italiano. I'm wandering down the street and I have an urge to throw on some tunes I don't listen to much. Scrolling through the artist list after a binge of Victor Vaughn, Madlib, MF Doom, and their projects, I decide to give Mos Def's Black on Both Sides a shot. I mean, it's not like I haven't heard this before, it just felt right this time.
Man, I was bumpin' down the street, totally immersed in the smooth flow, the masterful production, the seamless transitions between tracks. The feeling and flavor drew me into a different era of hip hop, back towards the golden age, back towards the seminal albums that formed hip hop into what it is today.
Totally entranced by this now-perfect album, by the time I got home I had listened to it through once, and now, almost a week later, I've probably listened to it at least eight times. This album is raw. Fresh, precise, perfect hip hop.
Getting down on some Mos Def
Labels:
Madlib,
MF Doom,
Mos Def,
Portland,
South East,
Victor Vaughn,
Zune
Wordburglar - Rhyme O'Clock
This is FRESH. You can't have a Wordburglar video without at least a little bit of ridiculousness and you'll see what I mean when you watch this new joint from Backburner champ Wordburglar. Rhyme O'Clock is the first single from Burg's upcoming album 3rdburglar, which is the album that I'm most excited about this year (not to say that there aren't other awesome things coming out too). Coming through as the king of silly wordplay, Burg teams up with past collaborators More or Les, Fresh Kils (Juno nominee!), and Uncle Fester on vocals, production, and cuts, respectively.
The flow of the tune, chorus especially, is reminiscent of their previous collaboration on Burglaritis Spit Fresh, but it still stands out as its own track and only pumps up the Portland fans for this upcoming release. This video outlines what is sure to be an excellent album. B-boy braggadocio and nerd swagger combine to bring you Rhyme O'Clock. Enjoy it!
More about 3rdburglar:
Aside from tearing up 10 tracks on 2011′s Backburner: Heatwave album, its been 2 years since Wordburglar last dropped a full-length solo album (2009′s underground hit Burgie’s Bassement) and it’s with great pleasure that we’re preparing to unleash 3rdburglar, Wordburglar’s third full-length release of all-new material. Featuring 14 tracks of original lyrics, beats & cuts blended meticulously with ‘Burg’s patented style, every track is a stand-out. 3rdburglar also features production from Juno-nominated producer Fresh Kils & long-time collaborators Beatmason, Timbuktu and Uncle Fes, with guest appearances from Canadian rap cohorts More or Les, Chokeules, Garthim-Master and Timbuktu as well as Los Angeles underground rap legend Riddlore (Chillin Villain Empire/Project Blowed).
3rdburglar drops May 2012. The release party is happening in Toronto at El Mocambo on May 11, 2012 for only $10. Features additional performances from Ghettosocks, More Or Les, Timbuktu & Choke and Dream Jefferson.
It's definitely gonna be a good show but I won't make it because I live in the Pacific Northwest. Enjoy yourself, you lucky Canucks.
More info @ HandSoloRecords.com
and Wordburglar's Bandcamp Page
and on Facebook
The flow of the tune, chorus especially, is reminiscent of their previous collaboration on Burglaritis Spit Fresh, but it still stands out as its own track and only pumps up the Portland fans for this upcoming release. This video outlines what is sure to be an excellent album. B-boy braggadocio and nerd swagger combine to bring you Rhyme O'Clock. Enjoy it!
More about 3rdburglar:
Aside from tearing up 10 tracks on 2011′s Backburner: Heatwave album, its been 2 years since Wordburglar last dropped a full-length solo album (2009′s underground hit Burgie’s Bassement) and it’s with great pleasure that we’re preparing to unleash 3rdburglar, Wordburglar’s third full-length release of all-new material. Featuring 14 tracks of original lyrics, beats & cuts blended meticulously with ‘Burg’s patented style, every track is a stand-out. 3rdburglar also features production from Juno-nominated producer Fresh Kils & long-time collaborators Beatmason, Timbuktu and Uncle Fes, with guest appearances from Canadian rap cohorts More or Les, Chokeules, Garthim-Master and Timbuktu as well as Los Angeles underground rap legend Riddlore (Chillin Villain Empire/Project Blowed).
3rdburglar drops May 2012. The release party is happening in Toronto at El Mocambo on May 11, 2012 for only $10. Features additional performances from Ghettosocks, More Or Les, Timbuktu & Choke and Dream Jefferson.
It's definitely gonna be a good show but I won't make it because I live in the Pacific Northwest. Enjoy yourself, you lucky Canucks.
More info @ HandSoloRecords.com
and Wordburglar's Bandcamp Page
and on Facebook
Labels:
3rdburglar,
Fresh Kils,
More or Les,
Music Video,
new release,
Uncle Fes,
Wordburglar
I moved to Portland
There's a point where every person who writes a blog gets distracted with real life. That's just the truth; you know it and I know it. I like writing about the hip hop that I listen to and sharing the jams and won't deny it but sometimes I find myself caught up in work and all of the projects that regular life throws my way. I've got a finished mixtape that I just need to write about before I throw it up here and there are some seriously rad releases that I need to tell all ya'll about but here's a slice of my life instead.
Recently, I moved to Portland, Oregon, a food hub of the world which has a burgeoning hip hop scene. I missed a show up here recently with Kool Keith but that happens. I did catch the end of a show yesterday in which Sole was headlining but I didn't get to see Josh Martinez, Ceschi, VTRN, and Bleubird. I got a job as a server at a pub and I work for free doing kitchen prep at another joint. I'm adjusting to all the radness that this town has to offer but I don't even have internet in my house and thus don't blog much right now.
Life is good. Portland is tight. I'm about to get down on some hip hop myself because I haven't rapped on stage in a couple years and just the energy of the show last night made me want to get back in that game.
Currently listening to: Moka Only: Airport 3
Recently, I moved to Portland, Oregon, a food hub of the world which has a burgeoning hip hop scene. I missed a show up here recently with Kool Keith but that happens. I did catch the end of a show yesterday in which Sole was headlining but I didn't get to see Josh Martinez, Ceschi, VTRN, and Bleubird. I got a job as a server at a pub and I work for free doing kitchen prep at another joint. I'm adjusting to all the radness that this town has to offer but I don't even have internet in my house and thus don't blog much right now.
Life is good. Portland is tight. I'm about to get down on some hip hop myself because I haven't rapped on stage in a couple years and just the energy of the show last night made me want to get back in that game.
Currently listening to: Moka Only: Airport 3
Labels:
Bleubird,
Ceschi,
Josh Martinez,
Kool Keith,
Portland,
Real Life,
VTRN
Noah23's Final Album -- Zoom
Noah23, in an attempt to retire from hip hop, has released a final album entitled Zoom. The founder of Plague Language (the home of Livestock, The Main, Baracuda, and others), who has released more albums than I care to list, has decided to give up the throne.
Nine tracks long, this album features exactly zero guest appearances, which is a total bummer in my opinion, and has no production notes. I haven't listened to this yet, to be honest, because Christmas yesterday was a mad run between two families.
But I'll reiterate what I said in a previous post -- Noah23'll be back. Dudes like him don't disappear from the hip hop scene forever. It draws you back. It's unstoppable.
But until that happens, until he gets back into the game again... click on the album cover to get down on Zoom at the Bandcamp page.
Nine tracks long, this album features exactly zero guest appearances, which is a total bummer in my opinion, and has no production notes. I haven't listened to this yet, to be honest, because Christmas yesterday was a mad run between two families.
But I'll reiterate what I said in a previous post -- Noah23'll be back. Dudes like him don't disappear from the hip hop scene forever. It draws you back. It's unstoppable.
But until that happens, until he gets back into the game again... click on the album cover to get down on Zoom at the Bandcamp page.
The Main - Clamnesia
You... you haven't heard it?!
Clamnesia is the newest release by Guelph hip hop champion The Main, a solid 7 tracks all produced by Gregory Pepper and featuring Noah23 and Livestock.
I wrote a whole post about the album just a minute ago but Firefox crashed. Here's the shorter version:
I've been waiting for this album to come out for a long time, ever since I ran across Punch Card Blues, which is also featured on Livestock's For My Man Sitting in a Boat. In fact, the other day I was complaining about how Clamnesia was never going to come out and the very next day I got an e-mail about it being released.
Oh, joyous day! If you haven't caught this release yet, it's only FIVE BUCKS! Don't be a cheapskate, just pick it up.
Regardless, you can still listen to it in full on the bandcamp page, where you can purchase it HERE!
This release is tight.
Thanks, Mainy.
Clamnesia is the newest release by Guelph hip hop champion The Main, a solid 7 tracks all produced by Gregory Pepper and featuring Noah23 and Livestock.
I wrote a whole post about the album just a minute ago but Firefox crashed. Here's the shorter version:
I've been waiting for this album to come out for a long time, ever since I ran across Punch Card Blues, which is also featured on Livestock's For My Man Sitting in a Boat. In fact, the other day I was complaining about how Clamnesia was never going to come out and the very next day I got an e-mail about it being released.
Oh, joyous day! If you haven't caught this release yet, it's only FIVE BUCKS! Don't be a cheapskate, just pick it up.
Regardless, you can still listen to it in full on the bandcamp page, where you can purchase it HERE!
This release is tight.
Thanks, Mainy.
Labels:
Baracuda,
Clamnesia,
Gregory Pepper,
Guelph,
Livestock,
Noah23,
Plague Language,
The Main
Vid O' The Week - Underground Pop Remix
Why this? A lot of people say its not as good as the original but it is still awesome. Enjoy!
I finally listen to Aesop Rock - Labor Days
Sometimes, somehow, you find yourself missing one of those pivotal albums, one of those albums that help define the genre for some and cause others to change their understanding of what music is entirely. And then, when you finally grab a copy and throw it on, you say to yourself, "how did I never listen to this before!"
The dishwasher and I were at work waxing philosophic about hip hop the other day and he told me that I had to listen to Aesop Rock. I told him I hadn't ever really picked up any of the dude's music because I felt like his discography was too big, I didn't know what to pick up. I asked him what the best album is.
He thinks for a second and says, "labor days. Definitely labor days."
Thus, I cop it.
Headphones in the next day, biking to work, I've got it blasting and I couldn't believe my ears. Holy hell!
How did I miss this?!?!
Needless to say, Aesop Rock's Labor Days is one of those masterpiece albums, a collection of songs that make you wish you had the raspy voice of a badass hip hop machine and a producer like Blockhead to throw you beats like the one on "Save Yourself." This album moves smoothly from one track to the next, seamless and perfect. Head nodding early 2000's hip hop at its finest. At just over an hour, it keeps you in that zone for a damn long time and I like that. He holds it down and brings you the plight of the working class in this near-perfect concept album.
Here's a sample to get you through until you find a copy of the album yourself.
One Brick (feat. Illogic)
The dishwasher and I were at work waxing philosophic about hip hop the other day and he told me that I had to listen to Aesop Rock. I told him I hadn't ever really picked up any of the dude's music because I felt like his discography was too big, I didn't know what to pick up. I asked him what the best album is.
He thinks for a second and says, "labor days. Definitely labor days."
Thus, I cop it.
Headphones in the next day, biking to work, I've got it blasting and I couldn't believe my ears. Holy hell!
How did I miss this?!?!
Needless to say, Aesop Rock's Labor Days is one of those masterpiece albums, a collection of songs that make you wish you had the raspy voice of a badass hip hop machine and a producer like Blockhead to throw you beats like the one on "Save Yourself." This album moves smoothly from one track to the next, seamless and perfect. Head nodding early 2000's hip hop at its finest. At just over an hour, it keeps you in that zone for a damn long time and I like that. He holds it down and brings you the plight of the working class in this near-perfect concept album.
Here's a sample to get you through until you find a copy of the album yourself.
One Brick (feat. Illogic)
Vid of the Day: Twin Peaks - Just Say No
Twin Peaks is Ghettosocks and Muneshine.
This video is fresh. Same sorta feel as their video for Audrey Horne and my guess is that it's the same director. Enjoy.
This video is fresh. Same sorta feel as their video for Audrey Horne and my guess is that it's the same director. Enjoy.
Legendary Hip Hop Mix #1
... has been delayed for the next couple of days because I was out with Occupy Sacramento in solidarity with Occupy Wall Street, the movement sweeping over the US.
From OccupyWallStreet.org:
I'm standing alongside Occupy Together and hoping for real, positive change to happen in this country. It's finally happening, folks.
In the meantime, listen to Sweatshop Union and support your local Occupation.
From OccupyWallStreet.org:
Occupy Wall Street is leaderless resistance movement with people of many colors, genders and political persuasions. The one thing we all have in common is that We Are The 99% that will no longer tolerate the greed and corruption of the 1%. We are using the revolutionary Arab Spring tactic to achieve our ends and encourage the use of nonviolence to maximize the safety of all participants.
I'm standing alongside Occupy Together and hoping for real, positive change to happen in this country. It's finally happening, folks.
In the meantime, listen to Sweatshop Union and support your local Occupation.
Mixtape SOON
The first volume of Legendary Hip Hop's Mix Series is droppin' on Sunday...
1. Finalized tracklist yesterday
2. Began write-up yesterday
3. Workin' on album art today
4. Printing physical copies tomorrow
5. Releasing SUNDAY
Just a head's up; this mix is amazing.
1. Finalized tracklist yesterday
2. Began write-up yesterday
3. Workin' on album art today
4. Printing physical copies tomorrow
5. Releasing SUNDAY
Just a head's up; this mix is amazing.
Blu and Sene - Stoopid
I'm sittin' here lookin' up things to plant in the garden for October. That's important, y'know, 'cause you can't eat the stuff they grow for the stores these days and nothin' tastes good like food picked right before it gets cooked. Anyway, I've got youtube open so I can browse around and listen to some music. I'm not on my computer so I don't have access to my library.
I'm listenin' to stuff off of Ron Contour and Factor's Saffron, which I have yet to purchase, and I accidentally click on a link to a song by Blu and Sene, which leads me on a quest all over listening to these guys. How have I never heard of them before?!
Super fresh stuff, if you haven't heard anything by either of them, here's a good start:
Blu feat. Sene - Stoopid
This track is mad fresh, flows smooth, beat's tight. All around badass. I think I've listened to this four times in a row now.
I'm gonna check these guys out.
I'm listenin' to stuff off of Ron Contour and Factor's Saffron, which I have yet to purchase, and I accidentally click on a link to a song by Blu and Sene, which leads me on a quest all over listening to these guys. How have I never heard of them before?!
Super fresh stuff, if you haven't heard anything by either of them, here's a good start:
Blu feat. Sene - Stoopid
This track is mad fresh, flows smooth, beat's tight. All around badass. I think I've listened to this four times in a row now.
I'm gonna check these guys out.
Moka Only - Airport 5
Throw on my canvas backpack at around 9:30pm for a walk across town the other day. Trekkin' from South D to West to meet my girlfriend at work. I've got one CD in my walkman and it's going to have to do me well for quite some time, this is a good hour or so of a walk.
Moka Only's Airport 5, the fifth installment of the series, was the perfect jam for this session. I'm walking down the street past sorority girls in their short skirts laughing alongside frat boys trying to act tough, people driving too fast and everybody a little bit drunk. It's Thursday night but it's the first day of the semester at the local college. Around me for much of my trek is a whirlwhind of people, on the sidewalk going from one party to another or on porches and lawns of frat houses playing beerpong or giving bro hugs.
None of it registers quite right.
The smooth flows of Moka O's rapping fill my ears, the CD player volume up high with the bass boost on blast. I can't hear the outside world, I'm too entangled in the incredibly relaxing and poetic world that is Airport 5. Listening to this album, everything outside was bathed in water. I've got a swagger in my step to the beat, the production kickin' back, making worldly problems feel so damn trivial. The trees seem to sway with me and everybody moves out of my way, though I'm not an intimidating guy. I appreciate the world around me, feeling like I'm viewing it through a secret lens and nobody can really see me.
HipHopDX.com called this album "high-flying doze-off rap," as an insult (they gave it 3.2 stars), but I think that describes it in a positively perfect way. It is doze-off rap, in a sense; the flow is so smooth is makes you wonder if Moka's mouth moves at all or if he just stands in front of a mic and they all just spill out into the pop filter, and the beats transition from one to the next with such excellent precision you don't even know it. I definitely didn't doze off, but I did listen to the album through twice before I finished my trek.
Incredibly smooth jams, I'd recommend this album for anybody who likes hip hop that's not slammin' in your face. Just chill out and enjoy it, it's damn good.
Moka Only's Airport 5, the fifth installment of the series, was the perfect jam for this session. I'm walking down the street past sorority girls in their short skirts laughing alongside frat boys trying to act tough, people driving too fast and everybody a little bit drunk. It's Thursday night but it's the first day of the semester at the local college. Around me for much of my trek is a whirlwhind of people, on the sidewalk going from one party to another or on porches and lawns of frat houses playing beerpong or giving bro hugs.
None of it registers quite right.
The smooth flows of Moka O's rapping fill my ears, the CD player volume up high with the bass boost on blast. I can't hear the outside world, I'm too entangled in the incredibly relaxing and poetic world that is Airport 5. Listening to this album, everything outside was bathed in water. I've got a swagger in my step to the beat, the production kickin' back, making worldly problems feel so damn trivial. The trees seem to sway with me and everybody moves out of my way, though I'm not an intimidating guy. I appreciate the world around me, feeling like I'm viewing it through a secret lens and nobody can really see me.
HipHopDX.com called this album "high-flying doze-off rap," as an insult (they gave it 3.2 stars), but I think that describes it in a positively perfect way. It is doze-off rap, in a sense; the flow is so smooth is makes you wonder if Moka's mouth moves at all or if he just stands in front of a mic and they all just spill out into the pop filter, and the beats transition from one to the next with such excellent precision you don't even know it. I definitely didn't doze off, but I did listen to the album through twice before I finished my trek.
Incredibly smooth jams, I'd recommend this album for anybody who likes hip hop that's not slammin' in your face. Just chill out and enjoy it, it's damn good.
Vid of the Day: Buck65 - Gee Whiz (thanks to blogotheque)
I thought I'd share with you all the magic of Buck65, a poetic and beautiful man who's latest album 20 Odd Years is a collaborative work of genius. This video was released by Blogotheque, a French website that has some of the most amazing videos of musicians performing all over the world. Buck and his cohort perform Gee Whiz and nail it 100%. Expand the video and watch it in full HD, it is filmed wonderfully.
Buck 65 | Part 1 (Gee Whiz) | A Take Away Show from La Blogotheque on Vimeo.
VIDEO: Ghettosocks - Stolen Kicks (feat. PH)
So, a music video is finally out for Ghettosocks' Stolen Kicks, off of "Treat of the Day." Featuring PH, this is one of my favorite songs of the album and I'm glad to see it come to life. I stole the information at the bottom of this post from the YouTube page.
Video by: Lithium Studios Productions
Director: Darrell Faria
Producer: Mike MacMillan
DP: Daniel Grant
Editor: Luke Higginson
Post: Alchemy
PD: Martin Von Tours. copyright Ghettosocks 2009.
Video by: Lithium Studios Productions
Director: Darrell Faria
Producer: Mike MacMillan
DP: Daniel Grant
Editor: Luke Higginson
Post: Alchemy
PD: Martin Von Tours. copyright Ghettosocks 2009.
Noah23 & Krem "The Terminal Illness EP"
Released today, "The Terminal Illness EP," a collaboration between Guelph hip hop legend Noah23 and Utah producer Krem (aka Drone Jones) is a (disappointingly) appropriate title for one of Noah's final releases.
By the way, this release is completely badass.
You can purchase/listen to the release here: Listen HERE
On May 3rd, the rapper posted on his FaceBook account that he would be retiring at the end of the year. Though he still has a few more scheduled releases (OCCVLT TRXLL PART II and Crunk23's "Illegal Ideas Incorporated"), this means there may be no hope for a Weird Apples Volume II or a follow up album to his amazing album "Fry Cook on Venus," which came out earlier this year on Circle Into Square / Fake Four.
Will he actually retire? Hopefully not.
Noah's got hip hop in his blood, he'll be back.
In the meantime, enjoy this release!
By the way, this release is completely badass.
You can purchase/listen to the release here: Listen HERE
On May 3rd, the rapper posted on his FaceBook account that he would be retiring at the end of the year. Though he still has a few more scheduled releases (OCCVLT TRXLL PART II and Crunk23's "Illegal Ideas Incorporated"), this means there may be no hope for a Weird Apples Volume II or a follow up album to his amazing album "Fry Cook on Venus," which came out earlier this year on Circle Into Square / Fake Four.
Will he actually retire? Hopefully not.
Noah's got hip hop in his blood, he'll be back.
In the meantime, enjoy this release!
Labels:
Circle into Square,
Crunk23,
Fake Four,
Krem,
Noah23,
Weird Apples
I work at a restaurant
It's 2:00pm and I'm sweaty, tired, furiously working, and supposed to be at a 50th wedding anniversary in one hour. I've been at work since 8:00pm and we've had a slow day, but regardless, every Sunday shift ends with a long bout of cleaning as we get the kitchen spotless. Every inch of stainless steel surface needs to be scrubbed with kitchen cleaner and wiped down with a clean towel, of which there are very few by Sunday.
I run out to my car through the front door, forgetting to take off my apron over my chef's jacket, and I probably look like I've killed something because I rubbed pork juice all over it when I was prepping. I reach into my center console and grab the first CD that I think will pump me up for the end-of-shift cleaning spree.
Common Grackle is in my hands, then in the stereo. Their album, The Great Depression, is a work of genius that came out about a year ago, a collaboration between Canadian pop musician Gregory Pepper and prolific producer Factor.
The first song on the album, Thank God it's Monday, featuring the legendary Kool Keith, pumps through the room, bouncing off the walls and into everybody's ears. If there are still customers out there, I'm too busy to care, I've gotta be out of here in half an hour and this music has blasted me into work mode.
I scrub furiously, the perfect marriage of hip hop production, post-pop guitar riffs and superbly layered vocals allowing me to not care that sweat is dripping off the end of my nose and I'm going to be late no matter what I do at this point. Common Grackle keeps me going.
The music is a stroke of genius. We in the back of the house thank you guys for making music we can tune into. The kind of music that allows us to tune out the endless drone of the hood pulling air out of the kitchen, the clatter of dishes being flung around the scullery, the wait staff in and out of the swinging doors bringing the french presses and teapots and whatnot to the back. It puts me in the zone, in a mood to work quickly and efficiently. Who cares if I'm late, for now I'm groovin' through the motions.
And damn, this album is fresh.
I run out to my car through the front door, forgetting to take off my apron over my chef's jacket, and I probably look like I've killed something because I rubbed pork juice all over it when I was prepping. I reach into my center console and grab the first CD that I think will pump me up for the end-of-shift cleaning spree.
Common Grackle is in my hands, then in the stereo. Their album, The Great Depression, is a work of genius that came out about a year ago, a collaboration between Canadian pop musician Gregory Pepper and prolific producer Factor.
The first song on the album, Thank God it's Monday, featuring the legendary Kool Keith, pumps through the room, bouncing off the walls and into everybody's ears. If there are still customers out there, I'm too busy to care, I've gotta be out of here in half an hour and this music has blasted me into work mode.
I scrub furiously, the perfect marriage of hip hop production, post-pop guitar riffs and superbly layered vocals allowing me to not care that sweat is dripping off the end of my nose and I'm going to be late no matter what I do at this point. Common Grackle keeps me going.
The music is a stroke of genius. We in the back of the house thank you guys for making music we can tune into. The kind of music that allows us to tune out the endless drone of the hood pulling air out of the kitchen, the clatter of dishes being flung around the scullery, the wait staff in and out of the swinging doors bringing the french presses and teapots and whatnot to the back. It puts me in the zone, in a mood to work quickly and efficiently. Who cares if I'm late, for now I'm groovin' through the motions.
And damn, this album is fresh.
Labels:
Common Grackle,
Factor,
Gregory Pepper,
Kitchen,
The Great Depression,
Work
The Return of Legendary Hip Hop
What could pull a hip hop writer out of retirement and back into the world of reviewing rap albums around the globe, jabberjawin' about excellent wordplay and searching for the holy grail of rhyme schemes? I mean, honestly, I certainly have been busy, be it writing/hosting music, going to school, or working as a champion-level waiter and cook, but I always keep one hand dipped in the now-overflowing well of hip hop gems to keep my ears sharp. What sane person can live without it? But man, I haven't wanted to write about it until recently, when I got my hands on a few albums that came out lately (Toolshed's The Lost, Timbuktu's Stranger Danger, and More or Les's Brunch with a Vengeance).
And I thought about it... should I get back into this? Well, the Canadians are pushing the bar really, really hard since I've stopped writing. There've been so many great albums coming out of that country that I think I'm doing an injustice by not spreading the word.
And then it hit me... I got wind of Backburner's Heatwave, a collaborative album featuring Fresh Kils, Wordburglar, Timbuktu, More Or Les, Uncle Fester, Ghettosocks, Chokeules, Jesse Dangerously, Jay Bizzy, Thesis Sahib, Beatmason, Frank Deluxe, Dexter Doolittle, Psybo, Ambition, Johnny Hardcore, Manalive, Ginzu333 & Mister E.
Did you read that lineup? It's absolutely ridiculous. Beyond awesome. They put out the first single from the album (music video coming soon) Heatwave, that just blows minds. Thesis Sahib, Timbuktu, Wordburglar, Jesse D, Chokeules, and Jay Bizzy (who I haven't heard anything new from in way too long).
Needless to say, this song makes other posse cuts look like child's play.
BACKBURNER - Heatwave by Hand'Solo
The album is out now, and it's a steal at $8.99 for a physical copy and only $5.00 for digital download in high quality, available HERE. <-- and you can listen to the whole thing for free.
I'm back. Backburner and Hand'Solo, I owe you one.
Stay tuned for more Legendary Hip Hop,
John James
And I thought about it... should I get back into this? Well, the Canadians are pushing the bar really, really hard since I've stopped writing. There've been so many great albums coming out of that country that I think I'm doing an injustice by not spreading the word.
And then it hit me... I got wind of Backburner's Heatwave, a collaborative album featuring Fresh Kils, Wordburglar, Timbuktu, More Or Les, Uncle Fester, Ghettosocks, Chokeules, Jesse Dangerously, Jay Bizzy, Thesis Sahib, Beatmason, Frank Deluxe, Dexter Doolittle, Psybo, Ambition, Johnny Hardcore, Manalive, Ginzu333 & Mister E.
Did you read that lineup? It's absolutely ridiculous. Beyond awesome. They put out the first single from the album (music video coming soon) Heatwave, that just blows minds. Thesis Sahib, Timbuktu, Wordburglar, Jesse D, Chokeules, and Jay Bizzy (who I haven't heard anything new from in way too long).
Needless to say, this song makes other posse cuts look like child's play.
BACKBURNER - Heatwave by Hand'Solo
The album is out now, and it's a steal at $8.99 for a physical copy and only $5.00 for digital download in high quality, available HERE. <-- and you can listen to the whole thing for free.
I'm back. Backburner and Hand'Solo, I owe you one.
Stay tuned for more Legendary Hip Hop,
John James
Labels:
Backburner,
canadian hip hop,
Hand'Solo Records,
Heatwave,
new release,
posse cut
Video! Ghettosocks: Out For Treats
Aside from being a fantastic album, Ghettosocks' Treat of the Day gives us two new music videos from the Grand Wizz, and here's one of 'em:
Out For Treats, from Treat of the Day:
Out For Treats, from Treat of the Day:
Lexington and Whatevski - Preggers Can't Be Choosers
I finally got my mitts on a copy of Preggers Can't Be Choosers by the legendary duo of Lexington and Whatevski. After seeing their music video for the "hit single" Shotgun a Beer I was pretty pumped for this release but I only managed to get a copy two days ago (and I blame myself for that). It was worth the wait.
I've only listened to it once all the way through but I've got good words to say about it already:
The vast majority of the album kicks ass. The rapping is wicked, especially on tracks like Lexington's Brain and Shotgun a Beer. The production is fresh, and for whatever reason they're dropping more danceable tracks (hear Fireworks in a Lightning Storm). I preferred the production on Customer Appreciation Day but this is certainly good as well, it's just different. And it's also got an incredible verse by returning guest Hollohan aka God, who spits the most insane rhymes in The Blood Letting. Overall, I could have used a little less interlude stuff and more rapping but it's definitely not a CD you should pass up. If you liked CAD (and if you haven't heard it, you can get it HERE), then you'll like this one.
Keep it up you two, I'm waiting for the California tour!
You can find the album HERE on CDBaby!
The vast majority of the album kicks ass. The rapping is wicked, especially on tracks like Lexington's Brain and Shotgun a Beer. The production is fresh, and for whatever reason they're dropping more danceable tracks (hear Fireworks in a Lightning Storm). I preferred the production on Customer Appreciation Day but this is certainly good as well, it's just different. And it's also got an incredible verse by returning guest Hollohan aka God, who spits the most insane rhymes in The Blood Letting. Overall, I could have used a little less interlude stuff and more rapping but it's definitely not a CD you should pass up. If you liked CAD (and if you haven't heard it, you can get it HERE), then you'll like this one.
Keep it up you two, I'm waiting for the California tour!
You can find the album HERE on CDBaby!
Welcome to Winter
It is the first seriously rainy day of the season. It had rained a couple of weeks ago but transitioned back into summer heat, and then it cooled down in the last week. Today, however, I woke up to the rain.
Lovely, lovely rain.
It is beating on my window still, and when I woke up a couple hours ago I opted to stay in bed, listening to Spiral Like the Nine by Livestock, and reading The Omnivore's Dilemma by Michael Pollan. The rain makes me want to write and read, listen to music and relax, cook, and discuss philosophy and living, and soak in new knowledge.
Winter is the time for learning. It is when the outdoors becomes both less desireable to walk around in and more desireable to walk around in, depending on the amount of rainfall. It is the time to listen to great music and read great literature.
Lovely, lovely rain.
It is beating on my window still, and when I woke up a couple hours ago I opted to stay in bed, listening to Spiral Like the Nine by Livestock, and reading The Omnivore's Dilemma by Michael Pollan. The rain makes me want to write and read, listen to music and relax, cook, and discuss philosophy and living, and soak in new knowledge.
Winter is the time for learning. It is when the outdoors becomes both less desireable to walk around in and more desireable to walk around in, depending on the amount of rainfall. It is the time to listen to great music and read great literature.
Labels:
article,
Livestock,
Michael Pollan,
Spiral Like the Nine,
Winter
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